Time-lapse photography has rapidly grown into one of the most popular kinds of creative expression within the last calendar year. A ton of expensive equipment and innovative methods exist to create cinema quality videos such as the opening sequence from”House of Cards,” however that should not dissuade you in getting out and trying it on your own. The simple reality is that all you will need is a fundamental DSLR, a tripod, a cheap intervalometer, and Adobe’s Lightroom. Video in its core is only a collection of photos taken very closely together and combined to appear as one long sequence. By understanding the speed of items passing through your scene as well as the length of time-lapse needed, a simple calculation is all that’s left. Find a Dynamic Scene You will first have to locate a composition that lends itself to a time-lapse. This can be anything from moving cars, people, or even clouds. The rate of these subjects within your framework will dictate how long you will need to wait for the time-lapse to complete. As an example, to catch slow moving clouds you would have to remain put for much longer than you’d require for moving cars, as they will not pass as rapidly throughout your frame. Consider that in your decision as you end up becoming bored or simply not having sufficient time. As soon as you’ve obtained it, place your camera on Time Lapse Presets it a tripod and compose the photo. Determine Your Exposure To keep things simple when starting out take at times of the day when the variability of light isn’t changing much. This can be mid morning, mid afternoon, or night. Creating a time-lapse that spans from day to dark may create complications that are beyond the reach of a beginners level. Next, determine your exposure. The vulnerability should remain static throughout your shoot and place using manual manner. Again, think about the speed of these topics in your frame and the way you would like them to appear in your time-lapse. If shooting the motion of individuals, do you really need them to appear sharp, or slightly blurred? Slowing down your shutter can create an ethereal look that’s interesting if used correctly. Think about the shutter speed first then set aperture and ISO last. In the end, turn off your cameras high ISO noise reduction and picture preview works if possible. Both these settings produce a lag after each photo is taken which slows your camera down also interferes with brief back to back intervals. Take in raw, lock your focus manually, and set a white balance that is suitable for the scene instead of using auto. Determine Your Interval The period is simply the time between every shot . In a scene with quickly changing movement, you will want to choose an interval that is shorter